Punch, or the London Charivari, Volume 152, February 21, 1917

audiobook

Punch, or the London Charivari, Volume 152, February 21, 1917

by Various Authors

EN·~1 hours·17 chapters

Chapters

17 total
1

PUNCH, OR THE LONDON CHARIVARI. - Vol. 152.

0:02
2

February 21st, 1917.

0:01
3

CHARIVARIA.

2:44
4

PRO PATRIA.

2:35
5

National Service.

0:09
6

WILLIAM v. THE WORLD.

2:49
7

HEART-TO-HEART TALKS.

4:46
8

THE WATCH DOGS.

7:43
9

NURSERY RHYMES OF LONDON TOWN.

1:17
10

THE HARDSHIPS OF BILLETS.

5:19

Description

Step into the chaotic humor of early 1917, when the Great War still raged and every headline begged a punchline. This issue delivers a rapid‑fire mix of mock‑serious reports, mischievous letters, and absurd statistics that skew the everyday absurdities of wartime Britain. From a disgruntled Count scheming against President Wilson to a bureaucratic ban on rice at weddings, the satire is as swift as it is topical.

The pages brim with tongue‑in‑cheek commentary on everything from a “Liquorice Factory” seized by troops to the fashion police banning “prodigal‑eating” garments. Readers will hear witty takes on trench digging, the rare sighting of a bittern, and the baffling demands of a “Food Hog” who devours a banquet in a single sitting. Even the mundane—coal sales, plumbing extensions, and the quest for a bathroom in every arti—gets a delightful spin.

Listen and you’ll hear a snapshot of a nation trying to laugh amid shortage and uncertainty, where the absurd becomes the most reliable news source. The humor is historic yet surprisingly fresh, offering a window into the era’s collective coping‑mechanism with a wink and a nod.

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Details

Language

en

Duration

~1 hours (63K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Punch, or the London Charivari, Keith Edkins and the PG Online Distributed Proofreading Team.

Release date

2005-01-23

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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