
audiobook
JACQUES-ÉMILE BLANCHE
DE DAVID A DEGAS
PRÉFACE
FANTIN-LATOUR
JAMES MAC NEILL WHISTLER
CHARLES CONDER
AUBREY BEARDSLEY
QUELQUES NOTES SUR MANET.
GUSTAVE RICARD
APRES UNE VISITE A LOUIS DAVID
Step into a richly textured meditation on French art, where painter‑critic Jacques‑Émile Blanche guides the listener through the lives and works of Ingres, David, Manet, Degas, Renoir and their peers. His essays weave meticulous visual analysis with the subtle humor of a seasoned insider, revealing how each master balanced tradition and daring innovation. A preface by Marcel Proust frames the collection, hinting at the shared nostalgia for a Paris that is both remembered and reimagined.
Beyond the canvases, Blanche recalls the salons of Auteuil, the flicker of victoria carriages outside his studio, and the delicate tension between public reputation and private creation. These personal vignettes give the criticism an intimate, almost conversational rhythm, inviting listeners to feel the weight of brushstrokes and the whisper of forgotten conversations. The result is an audio experience that feels like wandering a sun‑dappled gallery, where art history unfolds alongside the poet’s own longing for a vanished era.
Full title
Propos de peintre, première série: de David à Degas Ingres, David, Manet, Degas, Renoir, Cézanne, Whistler, Fantin-Latour, Ricard, Conder, Beardsley, etc. Préface par Marcel Proust Ingres, David, Manet, Degas, Renoir, Cézanne, Whistler, Fantin-Latour, Ricard, Conder, Beardsley, etc. Préface par Marcel Proust
Language
fr
Duration
~6 hours (395K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clarity, Laurent Vogel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2020-02-28
Rights
Public domain in the USA.

1861–1942
A gifted French portrait painter and writer, he moved easily through the cultural worlds of Paris and London and captured many of the artists and writers of his time. His own books and memoirs offer a lively window into the artistic life of the late 19th and early 20th centuries.
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