
audiobook
by F. Horace (Francis Horace) Teall
PROOF-READING.
PREFACE.
CHAPTER I. THE PROOF-ROOM.
CHAPTER II. SOME PRACTICAL CRITICISM FOR PROOF-READERS.
CHAPTER III. THE PROOF-READER’S RESPONSIBILITY.
CHAPTER IV. STYLE AND STYLE-CARDS.
CHAPTER V. WHIM VERSUS PRINCIPLE.
CHAPTER VI. AUTHORITIES AND OPINIONS.
CHAPTER VII. AUTHORITATIVE STUMBLING-BLOCKS IN THE STUDY OF THE ENGLISH LANGUAGE.
CHAPTER VIII. PREPARATION OF COPY.
This collection offers a candid look inside the bustling world of the proof‑room, where the often‑overlooked art of proof‑reading shapes every printed page. Drawing from real‑life anecdotes and practical experience, the essays illustrate how a reader’s sharp eye, broad knowledge, and disciplined judgment keep errors from slipping into books, newspapers, and dictionaries. Listeners will hear why good proof‑reading demands more than mechanical accuracy—it relies on curiosity, a sense of authority, and the courage to flag mistakes without overstepping.
The author also shares guidelines that help both novice and seasoned proof‑readers navigate the delicate balance between respecting an author’s voice and correcting obvious slips. Topics such as the responsibilities of a proof‑reader, the use of style cards, and the interplay with dictionaries are explored in an informal, engaging tone. By the end of the first act, listeners will have a clearer picture of the skills and mindset required to ensure clear, reliable text before it ever reaches the reader.
Full title
Proof-Reading A Series of Essays for Readers and Their Employers, and for Authors and Editors A Series of Essays for Readers and Their Employers, and for Authors and Editors
Language
en
Duration
~2 hours (151K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net, in celebration of Distributed Proofreaders' 15th Anniversary, using images generously made available by The Internet Archive
Release date
2015-11-02
Rights
Public domain in the USA.
Subjects
b. 1850
Best known for practical books on punctuation, proofreading, and compound words, this late-19th-century language expert wrote for people who cared about clear, consistent English. His work grew out of real publishing and dictionary experience, which gives it a grounded, useful feel even now.
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