Port Arthur : $b a monster heroism

audiobook

Port Arthur : $b a monster heroism

by Richard Barry

EN·~6 hours·21 chapters

Chapters

21 total
1

TRANSCRIBER’S NOTE

0:22
2

PORT ARTHUR A MONSTER HEROISM

5:17
3

THE SIEGE AT A GLANCE

2:03
4

THE INVESTMENT, SIEGE, AND CAPTURE OF PORT ARTHUR

17:15
5

THE CITY OF SILENCE

7:21
6

THE INVISIBLE ARMY

31:10
7

TWO PICTURES OF WAR—A GLANCE BACK

15:07
8

THE JAPANESE KITCHENER

41:35
9

203-METER HILL

27:37
10

A SON OF THE SOIL

10:39

Description

A compelling portrait of the 1904–1905 siege emerges from the front‑line notes of a war correspondent who walked the devastated terraces and stubble of Port Arthur. The early chapters draw listeners into the frantic rush of battalions, the relentless artillery fire, and the stark realities of soldiers who, according to superstition, must cleanse their linen before facing death. Interwoven with vivid field photographs, the narration captures the tense atmosphere of a city under siege, the eerie silence that settled over its streets, and the first desperate assaults that set the tone for the conflict.

Beyond the pounding bombardments, the account introduces the “invisible army” of engineers and scientists whose experiments reshaped modern warfare. Listeners hear personal anecdotes from both Japanese commanders and Russian defenders, gaining a sense of the tactical improvisations and human cost that defined the opening months. The blend of meticulous detail and evocative storytelling makes the early chapter of this historic episode feel immediate and unforgettable.

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Details

Language

en

Duration

~6 hours (356K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by John Campbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2017-11-23

Rights

Public domain in the USA.

About the author

Richard Barry

Richard Barry

1881–1958

A journalist, playwright, and novelist from Wisconsin, he moved easily between reporting, theater, and popular fiction. His work ranged from social observation to adventurous magazine stories, giving his writing an energetic, wide-awake feel.

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