
POLITIKAI DIVATOK
ELŐSZÓ.
MENDEMONDA.
A KI NEM MEGY, DE MENESZTETIK.
A SZÍV, MELY SZIKRÁT ÁD AZ ÜTÉSRE.
AZ ÜNNEPÉLY.
A VÍZ ALATT.
A KI A SORSOT KÉNYSZERÍTI.
ÚJ ÉLET.
EGY VÁROS A VÁRBAN.
The novel opens with a lively portrait of mid‑nineteenth‑century Budapest, a city where the buzz of telegrams and the glitter of public ceremonies mask a deeper entanglement of private lives and political currents. The narrator urges writers to capture this intertwining, showing how family dramas, ambitions, and personal tragedies are constantly reflected in the shifting “fashion” of ideas that dominate the public sphere. From bustling markets to solemn churches, the streets pulse with the hopes and anxieties of a nation in flux.
Against this backdrop, a handful of characters—an idealistic young clerk, a widowed mother striving to keep her children afloat, and a merchant eyeing prosperity—navigate the ever‑changing tides of political opinion. Their aspirations are buoyed or crushed by the latest ideological craze, and their everyday choices echo the larger struggles of a society trying to define itself. Through their eyes the reader senses the pressure of communal expectations and the bittersweet taste of personal ambition.
Written with vivid detail and a subtle satirical edge, the story balances humor with earnest observation, inviting listeners to hear the sounds of a city where every conversation carries the weight of the era’s grand debates. It offers a window into a world where politics is not a distant arena but a fashion that shapes every stitch of daily life.
Language
hu
Duration
~13 hours (757K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Albert László from page images generously made available by the Google Books Library Project
Release date
2020-03-08
Rights
Public domain in the USA.

1825–1904
A towering figure in 19th-century Hungarian literature, he wrote sweeping, adventurous novels and plays that made him one of his country’s most beloved storytellers. His life was just as dramatic as his fiction, shaped by politics, journalism, and the revolutionary spirit of 1848.
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