
PLAYS BY AUGUST STRINDBERG - SECOND SERIES - THERE ARE CRIMES AND CRIMES MISS JULIA THE STRONGER CREDITORS PARIAH - TRANSLATED WITH INTRODUCTIONS BY EDWIN BJÖRKMAN - AUTHORIZED EDITION - ACT I, SCENE 1. THE CEMETERY 2. THE CRÊMERIE - ACT II, SCENE 1. THE AUBERGE DES ADRETS 2. THE BOIS DE BOULOGNE - ACT III, SCENE 1. THE CRÊMERIE 2. THE AUBERGE DES ADRETS - ACT IV, SCENE 1. THE LUXEMBOURG GARDENS 2. THE CRÊMERIE
THERE ARE CRIMES AND CRIMES - ACT I FIRST SCENE
SECOND SCENE
ACT II - FIRST SCENE
SECOND SCENE
ACT III - FIRST SCENE
SECOND SCENE
ACT IV - FIRST SCENE
SECOND SCENE
AUTHOR'S PREFACE
Set against the shadowy avenues of Montparnasse Cemetery and the bustling streets of Paris, this collection of early‑twentieth‑century dramas plunges listeners into a world where ordinary encounters crack open deeper anxieties. In the opening scene, a grieving woman, her child, a watchful priest and a weary watchman circle a grave, their dialogue weaving superstition, desperation and a hint of looming danger. The vivid Parisian backdrop—crematoriums, gardens, and cafés—provides a stark stage for Strindberg’s incisive look at power, gender and the fragile promises of love.
Across the four plays, characters wrestle with expectations and betrayals, from a playwright whose reputation teeters on the edge of scandal to a widow whose hopes hinge on uncertain promises. Strindberg’s sharp wit and stark realism expose the cracks in social conventions, while his lyrical touches keep the tension alive. Listeners will find a compelling mix of suspense, dark humor, and the haunting echo of a city that both comforts and condemns.
Language
en
Duration
~6 hours (364K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-12-13
Rights
Public domain in the USA.

1849–1912
A fierce, inventive voice in Swedish literature, this writer helped reshape modern drama with works that still feel startlingly alive. Best known for sharp psychological conflict and social tension, he also wrote novels, essays, and painted throughout his restless career.
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by August Strindberg

by August Strindberg

by August Strindberg

by August Strindberg

by August Strindberg

by August Strindberg

by August Strindberg

by August Strindberg