Plays by August Strindberg, First Series

audiobook

Plays by August Strindberg, First Series

by August Strindberg

EN·~6 hours·8 chapters

Chapters

8 total

TRANSLATED WITH AN INTRODUCTION BY - EDWIN BJÖRKMAN - NEW YORK - CHARLES SCRIBNER'S SONS - 1912

0:22

INTRODUCTION

32:41

A CHRONOLOGICAL LIST OF AUGUST STRINDBERG'S MAIN WORKS

2:18

THE DREAM PLAY - 1902

1:55:39

THE LINK - A TRAGEDY IN ONE ACT - 1877

58:07

THE DANCE OF DEATH - 1901

0:01

PART I

1:43:43

PART II

1:10:46

Description

In this collection the playwright delves into the hidden currents of the human mind, blending stark realism with startling symbolism. “The Dream Play” opens with a young girl who wanders through a fantastical, ever‑shifting world, where love, ambition and suffering collide in vivid, dream‑like scenes that echo the fragility of everyday life. “The Link” examines the fragile ties that bind people together, exposing how desire and duty can twist ordinary encounters into moments of revelation and tension.

The two‑part “Dance of Death” follows a long‑married couple whose relationship has become a ritual of accusation and denial. As the first act unfolds, the audience witnesses the slow, methodical unraveling of trust, while the second act pushes the couple toward a bleak, almost theatrical showdown that forces both characters—and listeners—to confront the cost of relentless bitterness. Across all four plays, Strindberg’s razor‑sharp insight into love, loss, and the subconscious creates a haunting, emotionally charged experience that remains as compelling today as it was when first staged.

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Details

Language

en

Duration

~6 hours (368K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Marc D'Hooghe (Images generously made available by the Internet Archive.)

Release date

Apr 14, 2014

Rights

Public domain in the USA.

About the author

August Strindberg

August Strindberg

1849–1912

A fierce, restless voice in modern literature, this Swedish writer helped reshape drama with works that cut into class, desire, and human conflict. His stories and plays are vivid, intense, and still feel startlingly alive.

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