
PARASSITI
Articoli di Cesare Sobrero e di Francesco Bonavita.
PARASSITI
PERSONAGGI.
ATTO PRIMO.
ATTO SECONDO
ATTO TERZO. Salotto come nell'atto II.
ALCUNI GIUDIZJ DELLA CRITICA SUI «PARASSITI»
A bustling middle‑class household becomes the stage for a lively social sketch, where each family member seems to subsist on the generosity of the others. When a well‑meaning relative arrives with grand plans, the household’s hidden habits surface, turning polite conversation into a cascade of witty misunderstandings. The first act sets up a colourful cast whose habits and pretensions clash in a rhythm that feels both familiar and sharply observed.
The comedy relies on sharp dialogue and keen psychological insight, exposing the ways people can cling to one another like harmless parasites while still caring for each other’s reputation. Antona‑Traversi’s gentle satire shines through bright repartee and an elegant pacing that keeps the humor buoyant. Listeners will enjoy a deftly crafted portrait of everyday vanity, where the humor is rooted in character rather than far‑codded antics, inviting both laughter and a quiet reflection on the small dependencies that bind us.
Language
it
Duration
~4 hours (266K characters)
Publisher of text edition
Project Gutenberg
Credits
Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Mar 20, 2021
Rights
Public domain in the USA.

1857–1934
A lively figure in Italian theater, he moved between criticism, teaching, and the stage with ease. Best known as a playwright and librettist, he also wrote literary studies that kept him close to Italy’s classic authors.
View all books
by Camillo Antona-Traversi

by Royall Tyler

by Dion Boucicault

by Ben Jonson

by William Wells Brown

by Izumo Takeda, Shoraku Miyoshi, Senryu Namiki

by Ben Jonson