Parassiti: Commedia in tre atti

audiobook

Parassiti: Commedia in tre atti

by Camillo Antona-Traversi

IT·~4 hours·8 chapters

Chapters

8 total
1

PARASSITI

50:19
2

Articoli di Cesare Sobrero e di Francesco Bonavita.

15:29
3

PARASSITI

0:00
4

PERSONAGGI.

0:31
5

ATTO PRIMO.

48:17
6

ATTO SECONDO

42:17
7

ATTO TERZO. Salotto come nell'atto II.

24:01
8

ALCUNI GIUDIZJ DELLA CRITICA SUI «PARASSITI»

1:36:38

Description

A bustling middle‑class household becomes the stage for a lively social sketch, where each family member seems to subsist on the generosity of the others. When a well‑meaning relative arrives with grand plans, the household’s hidden habits surface, turning polite conversation into a cascade of witty misunderstandings. The first act sets up a colourful cast whose habits and pretensions clash in a rhythm that feels both familiar and sharply observed.

The comedy relies on sharp dialogue and keen psychological insight, exposing the ways people can cling to one another like harmless parasites while still caring for each other’s reputation. Antona‑Traversi’s gentle satire shines through bright repartee and an elegant pacing that keeps the humor buoyant. Listeners will enjoy a deftly crafted portrait of everyday vanity, where the humor is rooted in character rather than far‑codded antics, inviting both laughter and a quiet reflection on the small dependencies that bind us.

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Details

Language

it

Duration

~4 hours (266K characters)

Publisher of text edition

Project Gutenberg

Credits

Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2021-03-20

Rights

Public domain in the USA.

About the author

Camillo Antona-Traversi

Camillo Antona-Traversi

1857–1934

An energetic figure in Italian literary life, he moved easily between the stage and the study, writing plays, librettos, criticism, and literary biographies. His work reflects both a strong theatrical instinct and a lasting interest in major Italian writers.

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