
audiobook
by Rudolf Tombo
OSSIAN IN GERMANY
PREFACE.
CHAPTER I. BIBLIOGRAPHY OF GERMAN TRANSLATIONS, IMITATIONS, CRITICAL REVIEWS, ETC. - Introduction.
CHAPTER II. GENERAL SURVEY AND FIRST NOTICES. - §1. General Considerations upon the Reception of the Ossianic Poems in Germany.
CHAPTER III. OSSIAN’S INFLUENCE UPON KLOPSTOCK AND THE SO–CALLED BARDS. - §1. Klopstock.
INDEX OF PROPER NAMES.
Transcriber’s Notes
This study opens a window onto the surprising way the mythic verses of Ossian slipped into German cultural life. By tracing the early wave of translations, adaptations, and critical commentary, the author maps how poets such as Klopstock first encountered the bard’s haunting melodies. The work is anchored in a painstaking bibliography that balances exhaustive research with the practical limits of a single volume, promising further explorations of later figures like Goethe and Schiller.
Listeners will be guided through a rich tapestry of German‑language editions, literary imitations, and even musical settings that sprang from Ossian’s influence. Alongside scholarly notes, the narrative offers lively anecdotes about the scholars, librarians, and professors who helped shape the research. Whether you’re a student of Romantic literature or simply curious about cross‑cultural literary currents, this concise yet thorough overview makes the early German reception of Ossian both clear and compelling.
Full title
Ossian in Germany Bibliography, General Survey, Ossian's Influence upon Klopstock and the Bards Bibliography, General Survey, Ossian's Influence upon Klopstock and the Bards
Language
en
Duration
~5 hours (320K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Henry Flower, David Starner and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
Sep 18, 2012
Rights
Public domain in the USA.
Subjects

1875–1914
A German-born American scholar of language, he built a career at Columbia University and helped bring German literature and folklore to English-speaking readers. His work moved between rigorous philology and lively cultural history, including studies of Ossian and the Pied Piper legend.
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