Nova Castro: tragedia

audiobook

Nova Castro: tragedia

by João Baptista Gomes Júnior

PT·~1 hours·7 chapters

Chapters

7 total
1

NOVA CASTRO, - TRAGEDIA - DE - JOÃO BAPTISTA GOMES JUNIOR. - QUINTA EDIÇÃO - CORRECTA DE MUITOS ERROS, E AUGMENTADA COM A BRILHANTE SCENA - DA - COROAÇÃO.

0:19
2

ACTORES.

0:28
3

ACTO I. - Scena I.

18:53
4

ACTO II. - Scena I.

20:14
5

ACTO III. - Scena I.

21:34
6

ACTO IV. - Scena I.

16:27
7

ACTO V. - Scena I.

18:31

Description

In a dimly lit palace chamber of Coimbra, the tormented noblewoman Ignez de Castro confronts a cascade of haunting visions that reveal the deadly price of her secret love. As she wrestles with the memory of the murdered Constança—her rival for Prince Pedro’s affection—her mind fills with spectral figures and ominous warnings from a divine justice she feels unable to escape. The opening scene sets a tense atmosphere, where the loyal maid Elvira offers fragile comfort while the weight of guilt threatens to crush Ignez's resolve.

Against a backdrop of royal intrigue, the play explores the clash between forbidden passion and duty to the crown. Court counsellors and a watchful king linger on the periphery, hinting at forces that will shape the tragic fate of all involved. Listeners are drawn into a world where love, betrayal, and supernatural dread intertwine, promising an emotionally charged drama that questions whether redemption can ever be achieved before the final judgment arrives.

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Details

Language

pt

Duration

~1 hours (92K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Lisboa:
 Na Impressão Regia
 1830

Credits

Produced by Pedro Saborano. (produced from scanned images of public domain material from Google Book Search)

Release date

2007-09-04

Rights

Public domain in the USA.

About the author

JB

João Baptista Gomes Júnior

d. 1803

Best known for the tragedy Nova Castro, this late-18th-century Portuguese-language dramatist wrote about the doomed love of Pedro and Inês de Castro. His work was successful on the Lisbon stage and continued to be printed after his death in 1803.

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