
audiobook
Vol. V.—No. 121. NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
Notes. - READINGS IN SHAKSPEARE, NO. II.
Queries. - DID ST. PAUL QUOTE ARISTOTLE?
Replies. - NUMBER OF THE CHILDREN OF ISRAEL. (Vol. v., p. 11.)
Miscellaneous. - NOTES ON BOOKS, ETC.
A lively Victorian forum, this 1852 issue gathers scholars, artists, and curious amateurs into a single printed conversation. Its pages are filled with brief notes, probing questions, and thoughtful replies that treat literature, history, and genealogy as a shared hobby. Readers of the time saw it as a quiet salon where anyone with a notebook could join the discourse, and today its chatter feels like stepping into a bustling coffee‑house of intellect.
One standout discussion tackles a puzzling line in Hamlet, where editors have altered Shakespeare’s wording and the contributors argue over the meanings of “dram of base” versus “dram of ill.” The debate showcases the meticulous spirit of the period: lovers of the Bard weighing etymology, metallurgy, and moral metaphor to uncover a phrase’s true bite. Alongside such debates, the issue offers scattered curiosities, brief reports, and the occasional genealogical hint, making it a compact treasure trove for anyone who loves the pleasure of tiny scholarly discoveries.
Full title
Notes and Queries, Vol. V, Number 121, February 21, 1852 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Language
en
Duration
~2 hours (137K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.)
Release date
2012-09-15
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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