
audiobook
Vol. V.—No. 117. NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
Notes. - THE PANTHEON AT PARIS.
Queries. - Minor Queries. - Count Konigsmark.
Replies. - COLLARS OF SS. (Vol. iv., pp. 147. 236. 456.)
Miscellaneous. - NOTES ON BOOKS, SALES, CATALOGUES, ETC.
Step into a mid‑nineteenth‑century forum where scholars, artists, and curious minds exchanged brief notes and probing questions. Published on January 24 1852, this compact volume—priced at just four pence—captures the lively spirit of an era that prized interdisciplinary dialogue. Listeners will hear a mosaic of short contributions ranging from linguistic curiosities to genealogical puzzles, all presented in a conversational, yet rigorously researched style.
Among its most compelling pieces is a concise history of Paris’s Pantheon, once the medieval church of St Geneviève and later transformed into a secular mausoleum for the nation’s great figures. The essay traces the building’s birth under Louis XV, its revolutionary re‑dedication, the shifting Latin and French inscriptions, and the political motives behind each change. Through clear narration and occasional poetic quotations, it reveals how architecture became a barometer of French public sentiment, offering listeners a vivid snapshot of cultural upheaval without revealing later twists.
Full title
Notes and Queries, Vol. V, Number 117, January 24, 1852 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc.
Language
en
Duration
~2 hours (140K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.)
Release date
2012-09-05
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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