
Illustrations
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
The story opens with a vivid portrait of two women who shaped the narrator’s early world: a mother who gave him life and a great‑aunt, Charlotte Masson, a bright, resourceful woman from an old legal family. After the upheavals of the Revolution stripped her relatives of wealth, Charlotte turned to teaching piano, French, and even embroidery to survive, eventually adopting the narrator’s mother. Their fragile household, punctuated by loss—his father’s early death and his own precarious health—creates a tender backdrop of resilience and affection.
In the quiet rooms of their Parisian home, music becomes a language of its own. A tiny, long‑unused piano sits in the corner, and the child, rather than banging the keys, learns each note with uncanny precision, guided by his great‑aunt’s method. He finds wonder in everyday sounds—the ticking clock, the kettle’s rising “oboe”—and hears echoes of great composers like Berlioz in those simple melodies. This early immersion sets the stage for a lifelong devotion to the art of sound.
Language
en
Duration
~4 hours (285K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Boston, Small, Maynard & co., c1919.
Credits
Produced by Ben Beasley and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2005-08-07
Rights
Public domain in the USA.

1835–1921
A brilliant French composer, pianist, and organist, he wrote with unusual clarity and sparkle across almost every major musical form. He is still especially loved for The Carnival of the Animals, Danse macabre, the "Organ" Symphony, and the opera Samson and Delilah.
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