Music as a Language: Lectures to Music Students

audiobook

Music as a Language: Lectures to Music Students

by Ethel Home

EN·~1 hours·15 chapters

Chapters

15 total
1

MUSIC AS A LANGUAGE - LECTURES TO MUSIC STUDENTS - BY - ETHEL HOME

2:44
2

CHAPTER I

8:43
3

CHAPTER II

6:36
4

CHAPTER III

9:33
5

CHAPTER IV

6:30
6

CHAPTER V

5:12
7

CHAPTER VI

6:46
8

CHAPTER VII

4:16
9

CHAPTER VIII

6:32
10

CHAPTER IX

9:04

Description

A set of twelve lectures delivered between 1907 and 1915 offers a thoughtful look at music education when it was still finding its place in the school curriculum. The speaker treats music as a living language, arguing that its study should support both personal expression and the broader goals of general education.

The talks cover the whole range of practical concerns for aspiring teachers: deciding between solo‑instrument focus or a more comprehensive classroom role, meeting the formal requirements for certification, and mastering modern methods such as sol‑fa, ear‑training, sight‑singing, rhythm, dictation, and elementary composition. Later sessions move to the mechanics of teaching voice, piano, transposition, and improvisation, while also giving candid advice on running lessons and transitioning out of a training department.

Listeners will find a blend of philosophical insight and concrete classroom strategies that still resonate today. Whether you are a seasoned educator, a student of pedagogy, or simply curious about how early twentieth‑century teachers framed music as a tool for learning, these lectures provide clear, well‑structured guidance that bridges past and present practice.

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Details

Language

en

Duration

~1 hours (100K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Newman, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2005-07-06

Rights

Public domain in the USA.

About the author

EH

Ethel Home

A thoughtful early-20th-century music educator, she wrote practical, student-friendly books that treat music as something to be understood, expressed, and actively made. Her work is especially remembered for connecting classroom teaching with creativity and musical self-expression.

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