Music as a human need: A plea for free national instruction in music

audiobook

Music as a human need: A plea for free national instruction in music

by Alma Webster Hall Powell

EN·~2 hours·14 chapters

Chapters

14 total
1

Music as a Human Need

1:06
2

PREFACE

17:28
3

PART I.THE THESIS.

54:01
4

PART II.The Inter-Reactions of Music and National Life.

9:43
5

CHAPTER VI.England (1800-1913).

39:19
6

APPENDIX A.Questionnaire.

1:11
7

APPENDIX B.Sources of Statistical Material.

1:33
8

APPENDIX C.

1:25
9

APPENDIX D.Notes on Tabulation.

11:13
10

APPENDIX E.Communications.

19:16

Description

The author argues that music is not a luxury but a basic human need, intimately tied to the body’s natural rhythm and emotional balance. By tracing how collective agitation disrupts physiological and mental steadiness, the work proposes that organized musical education can act as a remedy for societal stress. This early 20th‑century study makes a compelling case for free, publicly funded instruction as a civic responsibility.

The book surveys the musical policies of Italy, England, Germany, France, and the United States from 1800 to 1913, showing how each nation’s support—or neglect—shaped public sentiment. Detailed questionnaires, statistical tables, and a pioneering field dubbed “toneurology” illustrate the link between rhythm, health, and national mood. Readers are invited to consider how a systematic, free music program could reinforce social cohesion and curb the disorders born of rapid industrial and political change.

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Details

Language

en

Duration

~2 hours (164K characters)

Publisher of text edition

Project Gutenberg

Credits

The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2022-11-12

Rights

Public domain in the USA.

About the author

Alma Webster Hall Powell

Alma Webster Hall Powell

1869–1930

An American soprano, suffragist, and reformer, she brought the same energy to music, writing, and public life. Her work ranged from the concert stage to social causes, making her one of those lively early-20th-century figures who seemed to do everything at once.

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