Mr Punch's Model Music Hall Songs and Dramas Collected, Improved and Re-arranged from Punch

audiobook

Mr Punch's Model Music Hall Songs and Dramas Collected, Improved and Re-arranged from Punch

by F. Anstey

EN·~3 hours·31 chapters

Chapters

31 total

MR. PUNCH'S MODEL MUSIC-HALLSONGS & DRAMAS.

0:02

By F. ANSTEY.

0:11

By F. ANSTEY,

0:14

INTRODUCTION.

1:39:59

MODEL MUSIC HALL.

0:01

i.—THE PATRIOTIC

0:39

ii.—THE TOPICAL-POLITICAL.

0:56

iii.—A DEMOCRATIC DITTY.

0:38

iv.—THE IDYLLIC.

0:10

v.—THE AMATORY EPISODIC.

0:38

Description

A lively anthology of Victorian music‑hall numbers, this collection captures the cheeky spirit of the late‑19th‑century stage. The pieces are presented with witty commentary and charming illustrations that bring the bustling world of variety entertainment to life. From jaunty ballads to short comic sketches, each work offers a glimpse of the era’s popular rhythm and rhyme.

The introductory scene satirises the growing push for strict moral oversight, staging a mock committee that nitpicks lyrics as if they were crimes. Through playful dialogue and exaggerated censorship, the book lampoons the tension between creative freedom and societal propriety. Listeners will enjoy the clever balance of humor and history, while hearing the lively verses that once thrilled London’s music‑hall audiences.

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Details

Full title

Mr Punch's Model Music Hall Songs and Dramas Collected, Improved and Re-arranged from Punch Collected, Improved and Re-arranged from Punch

Language

en

Duration

~3 hours (183K characters)

Publisher of text edition

Project Gutenberg

Credits

David Clarke, Fulvia Hughes and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2012-03-04

Rights

Public domain in the USA.

About the author

F. Anstey

F. Anstey

1856–1934

Best known for the comic fantasy Vice Versa, this Victorian writer delighted readers with clever role reversals, magical mix-ups, and sharp social humor. He also became a familiar literary voice through decades of work for Punch magazine.

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