
Transcriber's Notes:
LIST OF PLATES TO VOL. III.
PREFACE.
CHAPTER I. - OF THE RECEIVED OPINIONS TOUCHING THE "GRAND STYLE."
CHAPTER II. - OF REALIZATION.
CHAPTER III. - OF THE REAL NATURE OF GREATNESS OF STYLE.
CHAPTER IV. - OF THE FALSE IDEAL:—FIRST, RELIGIOUS.
CHAPTER V. - OF THE FALSE IDEAL:—SECONDLY, PROFANE.
CHAPTER VI. - OF THE TRUE IDEAL:—FIRST, PURIST.
CHAPTER VII. - OF THE TRUE IDEAL:—SECONDLY, NATURALIST.
A vigorous, twelve‑chapter investigation into the foundations of artistic judgment, this volume confronts long‑standing ideas about the “grand style” while probing the forces that shape a painter’s ambition. The author draws on a decade of relentless study, balancing personal reflection with rigorous analysis of how truth, religion, and the profane have each warped artistic ideals. Readers are invited to consider how realism, purism, naturalism, and even the grotesque have been debated and redefined over centuries.
The work moves from discussions of finish and composition to a detailed survey of landscape painting, tracing medieval fields, rock formations, and modern vistas. Richly illustrated plates accompany the text, offering visual anchors for arguments about the moral and philosophical dimensions of scenery. Throughout, the author’s earnest effort to rescue misunderstood masterpieces—especially those of Turner—provides a thoughtful, accessible guide for anyone curious about the evolving language of art.
Language
en
Duration
~13 hours (774K characters)
Release date
2012-02-18
Rights
Public domain in the USA.
Subjects

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and range. His books helped shape the way readers looked at painting, buildings, work, and the moral meaning of everyday life.
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