Mémoires inédits de Mademoiselle George, publiés d'après le manuscrit original

audiobook

Mémoires inédits de Mademoiselle George, publiés d'après le manuscrit original

by Mademoiselle (Marguerite-Joséphine Weimer) George

FR·~8 hours·4 chapters

Chapters

4 total
1

Note de transcription:

1:44:25
2

Avec portraits et fac-similé

0:01
3

Deuxième édition

0:30
4

PARIS - LIBRAIRIE PLON PLON-NOURRIT et Cie, IMPRIMEURS-ÉDITEURS - 8, RUE GARANCIÈRE—6e

6:21:09

Description

A recently uncovered manuscript brings the voice of a once‑famous French actress into the modern ear. Filled with portraits, facsimiles and lively anecdotes, the memoirs trace her childhood among the giants of 19th‑century theatre—thanks to early visits to Alexandre Dumas senior’s salon—and her parallel passions for painting and opera. From the buzzing corridors of the Comédie‑Française to the quiet hours spent at the Louvre, she paints a vivid picture of the artistic world that shaped her career.

The editor, a seasoned lawyer with a lifelong love of the arts, offers a modest introduction that frames the actress’s recollections without overwhelming the reader. His careful transcription preserves the original spelling, letting her sharp observations on backstage life, fellow performers and the cultural climate speak for themselves. Listeners become witnesses to an intimate era of French comedy, hearing the humor, ambition and sincerity that defined her long, celebrated tenure on stage.

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Details

Language

fr

Duration

~8 hours (466K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Mireille Harmelin, Hélène de Mink and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)

Release date

2010-01-09

Rights

Public domain in the USA.

About the author

Mademoiselle (Marguerite-Joséphine Weimer) George

Mademoiselle (Marguerite-Joséphine Weimer) George

1787–1867

A commanding star of the French stage, she became one of the best-known tragic actresses of the early 19th century. Her rise began astonishingly young, and her fame carried from the Comédie-Française to imperial courts abroad.

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