
PREFACE
AMBROISE THOMAS
CHARLES GOUNOD
CAMILLE SAINT-SAËNS
JULES MASSENET
ERNEST REYER
ALFRED BRUNEAU
SOME OTHER FRENCH COMPOSERS
APPENDIX
This compact volume offers an accessible tour of French musical life in the late nineteenth century, blending brief biographies with insightful comments on each composer’s stylistic leanings. Rather than dense technical analysis, it highlights the personal stories, the cultural climate of Paris, and the ways French taste shaped operatic and orchestral works of the era. Illustrated portraits and occasional footnotes bring a vivid, human touch to the narrative, making the material feel immediate and engaging.
Readers will encounter figures such as Gounod, the master of lyrical drama, alongside the tragic genius of Bizet, whose Carmen still dominates the stage. The book also surveys the later successes of Lalo, the emerging reputation of César Franck, and other key names who defined French melody, rhythm, and orchestral imagination. Listeners curious about how Paris became a magnet for innovators like Rossini, Meyerbeer, and even Wagner will find the sketches a useful guide to the spirit that animated the music of that vibrant period.
Language
en
Duration
~4 hours (285K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Internet Archive.)
Release date
2011-09-12
Rights
Public domain in the USA.
Subjects
1855–1922
A sharp-eyed writer on music as well as a composer, he moved easily between criticism and creation, with a special feel for French musical life. His books helped English-speaking readers discover major French composers, while his own work ranged across songs, chamber pieces, and orchestral music.
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