Masques & Phases

audiobook

Masques & Phases

by Robert Baldwin Ross

EN·~5 hours·26 chapters

Chapters

26 total
1

Transcribed from the December 1909 Arthur L. Humphreys edition by David Price, email ccx074@coventry.ac.uk

0:46
2

THE DEDICATION.

3:29
3

A CASE AT THE MUSEUM.

35:24
4

THE BRAND OF ISIS.

15:25
5

HOW WE LOST THE BOOK OF JASHER.

23:49
6

THE HOOTAWA VANDYCK.

14:47
7

THE ELEVENTH MUSE.

8:21
8

SWINBLAKE: A PROPHETIC BOOK, WITH HOME ZARATHRUSTS.

11:17
9

A MISLAID POET.

12:18
10

GOING UP TOP.

9:26

Description

In this lively collection the author writes as a conversational confidant, addressing a longtime editor with a mix of gratitude, wit and scholarly mischief. He blurs the boundaries between essay, criticism, parody and short fiction, suggesting that the same creative impulse can flow through a novel, a fable or a philosophical treatise. The tone is both erudite and approachable, inviting listeners to enjoy the occasional jest while pondering deeper ideas about art and thought.

Among the pieces is “A Case at the Museum,” a thoughtful meditation on the role of the archaeologist versus the mere collector of curiosities. Here the writer examines how objects rescued from oblivion become part of a cultural dialogue, and how the act of preservation can be both serious scholarship and playful observation. Throughout, the essays explore the psychological impact of literature, drama and archaeology on individuals and society, offering a patchwork of insights that are as entertaining as they are enlightening.

Details

Language

en

Duration

~5 hours (327K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-01-24

Rights

Public domain in the USA.

About the author

Robert Baldwin Ross

Robert Baldwin Ross

1869–1918

A sharp-witted journalist, critic, and art dealer, he is remembered as one of Oscar Wilde’s most loyal friends and defenders. His life moved through the literary and artistic circles of late Victorian and Edwardian Britain, leaving a quiet but lasting mark on modern literary history.

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