Maldita felicidade : comédia original em um acto

audiobook

Maldita felicidade : comédia original em um acto

by Alexandre da Costa

PT·~24 minutes·18 chapters

Chapters

18 total

PERSONAGENS

0:16

DUAS PALAVRAS

1:05

ACTO UNICO - Vista: Saleta ricamente mobilada em casa de Pinto Gallo. Portas ao fundo e lateraes. Mesa e cadeiras ao centro. - SCENA I - Pinto Gallo e depois José

1:49

SCENA II - Engracia, só

0:39

SCENA III - A mesma, Fernando e Carlos

1:38

SCENA IV - Fernando, Carlos e Pinto Gallo

0:45

SCENA V - Pinto Gallo e depois José

0:59

SCENA VI - Engracia e José

0:35

SCENA VII - Engracia e depois Fernando e Carlos

0:40

SCENA VIII - Os mesmos e Carneiro Real

0:33

Description

In a modestly furnished Lisbon drawing‑room, the restless Pinto Gallo celebrates a newly secured royal appointment, a triumph he keeps secret from his wife Engracia. When his servant José delivers a letter from the influential D. Alexandre Nobre, the news of the promotion and an odd mention of “two daughters”—Victoria and Glória—sparks both pride and anxiety. Engracia, left alone with the letter, interprets the cryptic wording as a betrayal, fearing her husband has taken a lover named Felicidade.

Their sons, Fernando and Carlos, soon arrive, eager to discuss their own romantic plans. The family’s conversation quickly spirals into a bewildering mix‑up of names, titles, and imagined engagements, exposing the fragile egos and petty ambitions that drive them. With rapid dialogue and sharp humor, the play captures a slice of early‑twentieth‑century domestic life, where a single misread phrase threatens to unravel a household’s fragile sense of order.

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Details

Language

pt

Duration

~24 minutes (23K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2008-12-16

Rights

Public domain in the USA.

About the author

Alexandre da Costa

Alexandre da Costa

b. 1873

Known today mainly for a single surviving one-act comedy, this little-known Portuguese-language writer offers a glimpse of theatrical humor from the late 1800s. The work credited to him plays with marriage, misunderstandings, and the slippery idea of happiness.

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