
audiobook
by Edmond Lepelletier, Émile Moreau, Victorien Sardou
Au lecteur
MadameSans-Gêne
LE 20 MARS
L'AGENT DES PRINCES
NAPOLÉON AU CHÊNE-ROYAL
MAMAN QUIOU
LE MARIAGE D'HENRIOT
L'EMPEREUR AMOUREUX
SANS-GÊNE EMBRASSE NAPOLÉON
LE RETOUR D'HENRIOT
In the summer of 1811, Napoleon sits atop a continent, his empire glittering with victory while whispers of his downfall circulate among rival monarchs and conspirators. The fragile peace masks a volatile mix of ambition, revenge and the looming question of succession, especially as the emperor anxiously awaits the birth of his heir. This turbulent backdrop sets the stage for a drama where personal and political stakes collide.
Enter the indomitable Madame Sans‑Gêne, a woman whose blunt courage and quick wit have already earned her a place at the heart of the imperial court. As Marie‑Louise’s labor begins, she finds herself thrust into a delicate crisis: the emperor’s frantic pleas to save both mother and child, and the ever‑present threat of enemies plotting his demise. Sans‑Gêne’s resourcefulness becomes a lifeline, navigating doctors, courtiers and secret agendas with her characteristic daring.
The novel captures the feverish atmosphere of a court on the brink, blending historical detail with vivid characters. Listeners will be drawn into the suspense of a nation’s future hanging on a single birth, while following Madame Sans‑Gêne’s bold maneuvering through intrigue, loyalty, and the fierce love she bears for those around her.
Full title
Madame Sans-Gêne, Tome 3 Le Roi de Rome Le Roi de Rome
Language
fr
Duration
~9 hours (540K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Claudine Corbasson, Clarity, Walt Farrell, Hans Pieterse and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2013-10-19
Rights
Public domain in the USA.

1846–1913
A prolific French journalist and novelist, he moved easily between literature, politics, and the busy newspaper world of late 19th-century Paris. He is also remembered for his close friendship with poet Paul Verlaine and for writing about the literary life of his time.
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1852–1922
A French playwright and librettist from the late 19th and early 20th centuries, he moved easily between poetry, theater, and opera. His work helped bring big historical dramas and popular stage spectacles to audiences in Paris and beyond.
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1831–1908
A master of the 19th-century French stage, he built tightly plotted dramas that kept audiences hooked and later inspired famous operas, including Puccini’s Tosca. His plays were hugely popular in his lifetime and helped define the “well-made play.”
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