
audiobook
by Edmond Lepelletier, Émile Moreau, Victorien Sardou
LA BLANCHISSEUSE
LA FRICASSÉE
LA PRÉDICTION
LA DERNIÈRE NUIT DE LA ROYAUTÉ
UN CHEVALIER DU POIGNARD
LA CHAMBRE DE CATHERINE
LE PETIT HENRIOT
LE LOCATAIRE DE L'HOTEL DE METZ
LE JOLI SERGENT
LE SERMENT SOUS LES PEUPLIERS
In the feverish summer of 1792, Paris throbs with music, dancing, and the restless energy of a nation on the brink of revolution. The grand hall of the Waux‑Hall pulses with a kaleidoscope of costumes—pantalons, wigs, and military uniforms—while guards in bright tricolor cockades mingle with revelers, ready to answer the call of the drum at a moment’s notice. Amid the whirl of the fricassée and the clatter of sabers, a striking young guard catches the eye, his vibrant presence hinting at the fierce spirit that fuels the streets outside.
At the heart of this whirlwind is a spirited laundress, known for her blunt humor and unflinching courage. She navigates the chaotic world of ballrooms and barricades with the same boldness she brings to her work, earning the nickname that will echo through the revolutionary turmoil. Her quick wit and fierce loyalty draw a circle of friends and admirers, setting the stage for a tale of love, ambition, and survival in a France where every night can turn from celebration to conflict.
Full title
Madame Sans-Gêne, Tome 1 Roman tiré de la Pièce de Mm. Victorien Sardou et Émile Moreau Roman tiré de la Pièce de Mm. Victorien Sardou et Émile Moreau
Language
fr
Duration
~7 hours (458K characters)
Publisher of text edition
Project Gutenberg
Release date
2013-04-06
Rights
Public domain in the USA.

1846–1913
A prolific French journalist and novelist, he moved easily between literature, politics, and the busy newspaper world of late 19th-century Paris. He is also remembered for his close friendship with poet Paul Verlaine and for writing about the literary life of his time.
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1852–1922
A French playwright and librettist from the late 19th and early 20th centuries, he moved easily between poetry, theater, and opera. His work helped bring big historical dramas and popular stage spectacles to audiences in Paris and beyond.
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1831–1908
A master of the 19th-century French stage, he built tightly plotted dramas that kept audiences hooked and later inspired famous operas, including Puccini’s Tosca. His plays were hugely popular in his lifetime and helped define the “well-made play.”
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