
Editor’s Note
Ludwig van Beethoven
Symphony No. 1, in C Major, Op. 21
First Three Piano Concertos
Symphony No. 2, in D Major, Opus 36
Symphony No. 3, in E-flat Major (“Eroica”), Opus 55
Symphony No. 4, in B-flat Major, Opus 60
Sonatas
Symphony No. 5, in C Minor, Opus 67
Symphony No. 6, in F Major, “Pastoral”, Opus 68
Born in Bonn in 1770 to a family of court singers, young Ludwig quickly displayed a natural talent for violin and piano. Despite his early resistance to strict lessons, he made his first public performance as a child and was soon sent to Vienna, the musical capital of Europe, to study further.
In Vienna he studied under Haydn while seeking his own voice, debuting his own piano concerto in 1795. Inspired by Mozart’s symphonies and Haydn’s ongoing output, Beethoven felt compelled to write symphonies of his own, aiming to push the form beyond its established bounds.
The First Symphony, premiered in 1800, opens with an unexpected F‑major tremolo before launching into a bright C‑major Allegro that brims with youthful energy. Critics noted its intellectual vigor and playful, almost ‘kitten‑like’ melodies in the slow movement, offering listeners a charming glimpse of Beethoven’s emerging style.
Language
en
Duration
~1 hours (90K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Stephen Hutcheson, Dave Morgan, Jude Eylander and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2015-10-17
Rights
Public domain in the USA.
1879–1941
A sharp-eyed music critic, poet, and novelist, he moved easily between journalism and literature in early 20th-century New York. Best remembered for his lively criticism and the novel Prima Donna, he brought a distinctly musical ear to everything he wrote.
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