
audiobook
L'ŒUVRE DU DIVIN ARÉTIN
INTRODUCTION
LES RAGIONAMENTI - Ci commence la première Journée des capricieux Ragionamenti de l'Arétin, dans laquelle la Nanna, à Rome, sous un figuier, raconte à l'Antonia la vie des Nonnes.
LES SONNETS LUXURIEUX - SONNET I
TABLE
A freshly translated collection brings the provocative voice of a 16th‑century Italian polemicist back into modern ears. The scholarly introduction sketches his tumultuous reputation—celebrated by monarchs and papal courts yet condemned for scandalous indulgences. It sets the stage for a work that once sparked both admiration and outrage across Europe.
The core of the volume is the “Ragionamenti,” a series of lively dialogues that explore the private lives of nuns, married women, and courtesans. Interwoven with daring sonnets, the texts blend humor, erotic insight, and philosophical musings on love and morality. Readers will hear the author’s sharp wit as he navigates the tensions between desire and social convention.
Beyond the dialogues, the book offers notes on the rare surviving copies and the fragmented legacy of the author’s oeuvre. It reveals how his daring use of the printing press shaped public opinion long before modern media. The edition invites listeners to contemplate a figure whose name still provokes curiosity and debate.
Full title
L'oeuvre du divin Arétin, première partie Introduction et notes par Guillaume Apollinaire Introduction et notes par Guillaume Apollinaire
Language
fr
Duration
~7 hours (411K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laurent Vogel, Jean-Adrien Brothier and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
2013-09-27
Rights
Public domain in the USA.
Subjects

1492–1556
A fearless Renaissance satirist, playwright, and letter-writer, he built a reputation by taking aim at the powerful with wit, nerve, and a sharp pen. His work could be scandalous, funny, and deeply observant all at once.
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