
Produced by Carlo Traverso, Claudio Paganelli and the
L'INDOMANI - PRIMA EDIZIONE
L'INDOMANI - PRIMA EDIZIONE
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At the break of day, Marta opens her eyes to the quiet of the marital bedroom. She watches her husband Alberto sleeping, his calm features bathed in soft morning light, and feels a tender mix of affection and protectiveness. The scene captures the routine of a newly‑wed household in late‑nineteenth‑century Italy, where domestic rituals are both comforting and constraining. As she rises, the gold band on her finger reminds her of the vows she has just begun to live.
Marta’s thoughts drift between the youthful ideal of love she once cherished and the reality of her role as a dutiful wife. She measures herself against the models of femininity found in the novels she has read and the example set by her mother, wondering whether compliance will silence her own desires. The narrative gently unveils her yearning for something beyond the prescribed order, while still holding fast to gratitude for Alberto’s kindness. This delicate balance sets the stage for an intimate exploration of marriage, identity, and the quiet hopes that linger in the moments between night and day.
Language
it
Duration
~3 hours (202K characters)
Publisher of text edition
Project Gutenberg
Release date
2007-07-09
Rights
Public domain in the USA.

1846–1918
A major voice in late 19th-century Italian fiction, this writer explored domestic life, women’s inner struggles, and the moral pressures of her time with unusual clarity. Writing under the pen name Neera, she became especially known for psychologically sharp novels such as Teresa.
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