
Au lecteur
L’ILLUSTRATION
LES COLLECTIONS DE LA GUERRE
LES GRANDES HEURES
PETITE VISION DE GAIETÉ, AU FRONT DE BATAILLE
UNE HÉROIQUE ENFANT DE PARIS
LE NOUVEAU ROI DE ROUMANIE
L’AMITIÉ FRANCO-PORTUGAISE
TOUT PRÈS DE LA BATAILLE
LA ONZIÈME SEMAINE DE GUERRE
Step into October 1914 as a contemporary reader would, hearing the rustle of paper and the urgency of war news. The issue opens with a stark report from a lieutenant artilleryman, describing how bodies are laid beneath cannons that continue to fire, a haunting blend of duty and grief. The concise articles capture the daily realities of the front while the pages also promise reprints for collectors, preserving a moment when the world seemed to hold its breath.
Interwoven with the reportage are lyrical pieces that turn the battlefield into a stage for reflection. One essay, titled “The Cannon on the Graves,” transforms the grim sight of buried soldiers into a surreal monument, giving the dead a voice that still commands the artillery. Another vignette, “The Bell in the Night,” paints a quiet mountain village where a church bell tolls for distant troops, its mournful notes echoing the fragile hope of peace. Together, these writings offer a poignant snapshot of humanity confronting the chaos of the early Great War.
Language
fr
Duration
~1 hours (68K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Claudine Corbasson and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2017-01-31
Rights
Public domain in the USA.
A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.
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