
I. MYSELF II. OURSELVES III. EVENING AND DAWN IV. MARIE V. DAY BY DAY VI. A VOICE IN THE EVENING VII. A SUMMARY VIII. THE BRAWLER IX. THE STORM X. THE WALLS XI. AT THE WORLD'S END XII. THE SHADOWS XIII. WHITHER GOEST THOU? XIV. THE RUINS XV. AN APPARITION XVI. DE PROFUNDIS CLAMAVI XVII. MORNING XVIII. EYES THAT SEE XIX. GHOSTS XX. THE CULT XXI. NO! XXII. LIGHT XXIII. FACE TO FACE - LIGHT - CHAPTER I - MYSELF
CHAPTER II - OURSELVES
CHAPTER III - EVENING AND DAWN
CHAPTER IV - MARIE
CHAPTER V - DAY BY DAY
CHAPTER VI - A VOICE IN THE EVENING
CHAPTER VII - A SUMMARY
CHAPTER VIII - THE BRAWLER
CHAPTER IX - THE STORM
CHAPTER X - THE WALLS
A mist‑laden industrial town spreads beneath a waning sky, its factories and narrow streets pulsing with the rhythm of shift change. The narrator—an officious clerk in a glass‑partitioned office—steps out each evening into a sea of workers, steel‑clad silhouettes and flickering lanterns that turn the avenue into a moving chessboard of light and shadow. The prose sketches the stark beauty of soot‑blackened chimneys, skeletal trees and the fleeting glow of tavern windows, all while the town’s daily exodus feels both inevitable and strangely ceremonial.
Within this landscape the narrator turns inward, noting the sameness of days and the quiet echo of his own footsteps among the crowd. He ponders the thin line between self and the multitude, using the recurring image of “light” as a metaphor for hope, identity, and the relentless march toward another evening. Listeners are invited to walk the dim corridor of Viviers, feeling the weight of routine and the lingering question of what truly illuminates a life lived in the shadows.
Language
en
Duration
~8 hours (517K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-07-14
Rights
Public domain in the USA.

1873–1935
Best known for the searing World War I novel Under Fire, this French writer turned his own frontline experience into one of the earliest and most influential antiwar books of the 20th century. His work blends vivid realism, moral urgency, and a deep concern for ordinary people caught in history.
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