Lichtbild- und Kino-Technik Lichtbühnen-Bibliothek Nr. 1

audiobook

Lichtbild- und Kino-Technik Lichtbühnen-Bibliothek Nr. 1

by Franz Paul Liesegang

DE·~2 hours·25 chapters

Chapters

25 total

Lichtbild- und Kino-Technik

0:10

Inhaltsverzeichnis

2:20

Der Lichtbilderapparat und seine Wirkungsweise - Die allgemeine Anordnung

4:08

Der Kondensor

1:17

Das Objektiv

5:13

Zusammenarbeiten von Kondensor und Objektiv

1:29

Einfluß der Lichtquelle

2:40

Ausführungsformen des Lichtbilderapparats

1:56

Die Lichtquellen

1:18:03

Zubehör zum Lichtbilderapparat - Der Bildhalter

1:28

Description

A clear‑cut guide from the early days of visual projection, this work walks listeners through the inner workings of the classic light‑picture apparatus. It explains how lenses, condensers and various light sources—from petroleum lamps to electric arc lamps—combine to create bright, sharp images on a screen. The author also details the practical construction of the device, emphasizing alignment, stability and the qualities of the glass slides that feed the system.

Beyond the basics, the book explores early cinematography, covering everything from film‑strip handling to the mechanics of the kinetograph. It offers troubleshooting tips for common visual glitches, such as flicker, blur and film damage, and even touches on the creation of simple trick films. For anyone fascinated by the roots of cinema and historic photographic techniques, the description provides a concise, engaging snapshot of a pivotal era in visual technology.

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Details

Full title

Lichtbild- und Kino-Technik Lichtbühnen-Bibliothek Nr. 1 Lichtbühnen-Bibliothek Nr. 1

Language

de

Duration

~2 hours (147K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jana Srna, Matthias Grammel, Norbert H. Langkau and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2015-07-17

Rights

Public domain in the USA.

About the author

FP

Franz Paul Liesegang

1873–1949

A German photography and film-technology specialist, he wrote with the eye of both a scientist and an early cinema insider. His work helps modern readers see how projection, optics, and motion pictures developed in the years when film was still new.

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