Legends and Lyrics. Part 1

audiobook

Legends and Lyrics. Part 1

by Adelaide Anne Procter

EN·~3 hours·89 chapters

Chapters

89 total
1

This etext was prepared by David Price, email ccx074@coventry.ac.uk from the 1890 George Bell and Sons edition.

0:07
2

LEGENDS AND LYRICS—FIRST SERIES by Adelaide Ann Procter

1:20
3

DEDICATION

0:22
4

AN INTRODUCTION BY CHARLES DICKENS

17:49
5

VERSE: THE ANGEL’S STORY

6:59
6

VERSE: ECHOES

0:43
7

VERSE: A FALSE GENIUS

1:05
8

VERSE: MY PICTURE

1:30
9

VERSE: JUDGE NOT

0:54
10

VERSE: FRIEND SORROW

0:44

Description

The volume opens with a heartfelt dedication and an unexpected preface by Charles Dickens, who recounts how a modest poem caught his eye in the pages of Household Words. He reveals the curious anonymity of Miss Mary Berwick—a pseudonym that later turned out to be Adelaide Anne Procter—painting a portrait of a diligent, self‑reliant woman determined to let her verses speak for themselves. Dickens’s reminiscences set a warm, intimate tone that invites listeners to step into the modest world of a 19th‑century poetess whose work was shaped by quiet perseverance.

The collection itself meanders through a wide emotional landscape: devotional pieces like “The Angel’s Story,” tender meditations such as “A Woman’s Question,” and stark reflections on loss in “The Angel of Death.” Procter’s verses blend simple lyricism with moral conviction, offering comfort to the bereaved, encouragement to the weary, and gentle critique of social conventions. Listeners will hear the cadence of Victorian prayer and the rustle of everyday life, each poem a small, candle‑lit glimpse into the hopes and fears of its time.

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Details

Language

en

Duration

~3 hours (181K characters)

Publisher of text edition

Project Gutenberg

Release date

2000-08-01

Rights

Public domain in the USA.

About the author

Adelaide Anne Procter

Adelaide Anne Procter

1825–1864

A hugely popular Victorian poet in her lifetime, she wrote with warmth and conviction about poverty, homelessness, faith, and the lives of working women. Her verses reached a wide audience through Charles Dickens’s journals and were admired by readers across Britain.

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