
Produced by Daniel Fromont
LE - SENTIER
PERSONNAGES:
LORET
PAUL ROUSS - ERVAN - UN JOURNALISTE - UN FACTEUR - UN MENDIANT - UN TAPISSIER
MARTHE - BERTRANDE
ANNAIC - HORTENSE - BLANCHE
ACTE I
SCENE I
SCENE II - LES MEMES, BARDICHON, HORTENSE
In a cluttered artist’s studio, where canvases lean against the walls and a lone model holds a pose, a lively troupe of bohemians gathers for a rainy afternoon of jokes, flirtation, and restless ambition. Andrée, the determined painter, directs the scene with sharp wit, while the easy‑going Loret supplies a steady stream of sarcastic commentary, and the poet‑songster Paul Rouss tosses witty barbs that keep the conversation crackling. Their banter reveals a web of past entanglements—old lovers, jealous rivals, and the promise of a new patron—setting the stage for misunderstandings that swirl as colorfully as the paints on the palette.
The first act bursts with humor and tension, as each character teases the others about reputation, love, and artistic genius, all while waiting for Pierre Belval, a charismatic young writer whose reputation precedes him. Listeners are invited into the bustling world of early‑20th‑century Parisian art circles, where the line between friendship and rivalry is as thin as a brushstroke, promising a witty, heartfelt comedy that unfolds in lively dialogue and sparkling repartee.
Language
fr
Duration
~1 hours (96K characters)
Publisher of text edition
Project Gutenberg
Release date
2008-12-25
Rights
Public domain in the USA.
Subjects

1886–1952
A bestselling French writer of romantic fiction, this author published prolifically under the pen name Max du Veuzit and reached a wide popular audience. Behind that name was Alphonsine Zéphirine Vavasseur, whose emotional, accessible novels remained widely read for decades.
View all booksKnown for French adaptations and dramatic fiction, this author is linked with works such as Le Sentier and a French adaptation of The Monkey’s Paw. The surviving catalog suggests a writer active in popular literary and theatrical forms rather than a widely documented public figure.
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