
CHARLES DERENNES
PROLOGUE
CHAPITRE I DEUX HOMMES, DEUX CHIMÈRES
CHAPITRE II LES CAVALIERS…
CHAPITRE III … ET LEUR MONTURE
CHAPITRE IV PROPOS ENTRE CIEL ET TERRE
CHAPITRE V LE JOUR VIOLET
CHAPITRE VI SUR LA PIERRE BRUNE
CHAPITRE VII CEINTRAS ÉGARE SON OMBRE ET SA RAISON
CHAPITRE VIII LA FACE AURÉOLÉE D’ÉTOILES
In the quiet seaside village of Saint‑Margaret’s Bay, a weary writer pauses his study of modern life to welcome an old university friend. Louis Valenton arrives from a grueling paleontological mission, his carriage brimming with curious crates and fresh impressions of distant lands. As they settle into the modest inn, Valenton’s animated voice begins to paint the stark, wind‑swept expanse of Siberian pine forests and endless sheets of snow, leaving the listener with a sense of both awe and unease.
The professor’s stories quickly turn from landscape to discovery: ancient caves that have cradled millennia of darkness, sudden avalanches that echo across barren plateaus, and, most strikingly, a set of perfectly preserved bones that belong to a creature no science has ever catalogued. These fragments raise a quiet, unsettling question about the limits of human knowledge and the arrogance of dismissing the extraordinary. As the narrative unfolds, the listener is invited to weigh disbelief against wonder, setting the stage for a journey that challenges the very foundations of what we consider possible.
Language
fr
Duration
~5 hours (288K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Paris: Mercure de France, 1907.
Credits
Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
Release date
2023-11-19
Rights
Public domain in the USA.

1882–1930
A lively French writer of novels, essays, poetry, and journalism, he moved easily between literary fiction, nature writing, and early speculative adventure. Best remembered for winning the Prix Femina in 1924, he also wrote in Occitan and brought a sharp, curious energy to everything he published.
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