
audiobook
by Han Ryner
Note sur la transcription: Les erreurs clairement introduites par le typographe ont été corrigées. L'orthographe d'origine a été conservée et n'a pas été harmonisée. Les numéros des pages blanches n'ont pas été repris.
Le Massacre des Amazones
DU MÊME AUTEUR Sous le Pseudonyme de HENRI NER
I LA VEILLÉE D'ARMES
II PREMIÈRE RENCONTRE
III LES CYGNES NOIRS
IV UNE POINTE EN FRANCO-RUSSIE
V ANGLOMANIE
VI GROSSES CHEVILLES
VII LES CANTINIÈRES
This study launches a sharp, tongue‑in‑cheek investigation into the figure of the ‘bas‑blue’—the literary woman accused of turning art into commerce. By weaving together a parade of contemporary names, from celebrated novelists to lesser‑known poets, the author maps a cultural battlefield where vanity, ambition, and genuine talent collide. The opening frames the inquiry as a kind of war, with vivid metaphors of amazons and ancient myths setting the tone for a lively critique.
Through a series of essays the writer dissects how these self‑styled literary figures present themselves, contrasting earnest creators with those who merely parade pretension. References to Barbey d’Aurevilly, Daudet, and other critics provide a historical backdrop that enriches the modern analysis. Listeners will appreciate the blend of scholarly rigor and sardonic humor, making the work both an informative guide to a forgotten literary controversy and an entertaining portrait of early twentieth‑century cultural anxieties.
Language
fr
Duration
~5 hours (343K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clarity, Hélène de Mink, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2014-11-27
Rights
Public domain in the USA.

1861–1938
Best known as a French individualist anarchist and pacifist, he wrote fiction, essays, and philosophical works that championed personal freedom and a life guided by conscience. His books helped make him a distinctive voice in early 20th-century radical thought.
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