Le Livre des Mères et des Enfants, Tome I

audiobook

Le Livre des Mères et des Enfants, Tome I

by Marceline Desbordes-Valmore

FR·~2 hours·36 chapters

Chapters

36 total
1

SIMPLE PRIÈRE.

1:00
2

L'ÉCOLIER.

3:54
3

L'ENFANT GÂTÉ.

3:54
4

CONTE D'ENFANT

4:06
5

L'ENFANT AUX PIEDS NUS.

2:23
6

L'ENFANT ET LE PAUVRE.

3:32
7

LA POUPÉE MONSTRE.

2:04
8

DEUX CHIENS.

4:17
9

LA BRISEUSE D'AIGUILLES.

3:05
10

UN ENFANT A SON FRÈRE.

1:55

Description

A gentle, lyrical meditation opens the story, inviting listeners into a world where prayer and everyday wonder intertwine. A child's simple yet heartfelt petition to a loving God sets a tone of quiet reverence, while the soft cadence of nighttime lullabies hints at a deep bond between the divine and the innocent.

From there, the narrative follows a small schoolboy burdened by a heavy book, his steps slowed by curiosity and a yearning to understand. He converses with a busy bee and a wandering swallow, each encounter sparkling with nature’s wisdom and playful riddles. A steadfast dog named Stentor appears, offering stern yet compassionate counsel about work, learning, and the value of perseverance.

Through poetic dialogues and vivid images of fields, flowers, and humming insects, the tale celebrates the resilience of a child discovering the joys and challenges of education. Listeners will be drawn into a tender exploration of faith, curiosity, and the gentle guidance that shapes a young heart.

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Details

Language

fr

Duration

~2 hours (123K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell, Renald Levesque and the Online Distributed Proofreading Team. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)

Release date

2004-12-04

Rights

Public domain in the USA.

About the author

Marceline Desbordes-Valmore

Marceline Desbordes-Valmore

1786–1859

A French Romantic poet who turned a life marked by loss, travel, and work on the stage into deeply personal verse. Her poems are known for their emotional directness and musical language, and later writers saw her as an important early voice in French Romanticism.

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