
Alexandre Dumas - LE COLLIER DE LA REINE - Tome I - (1849—1850)
Avant-propos
Prologue—I - Un vieux gentilhomme et un vieux maître d'hôtel
Prologue—II - La Pérouse
Chapitre I - Deux femmes inconnues
Chapitre II - Un intérieur
Chapitre III - Jeanne de La Motte de Valois
Chapitre IV - Bélus
Chapitre V - Route de Versailles
Chapitre VI - La consigne
Set against the glittering yet treacherous world of pre‑Revolutionary France, this tale plunges listeners into the swirling intrigues of Versailles. A charismatic young nobleman and a cunning master of the household become entangled with a daring woman whose ambition threatens to upend the royal court. As whispers of a priceless necklace circulate, secret alcoves and lavish balls provide the perfect stage for deception, ambition, and hidden motives.
The narrative weaves together vivid portraits of historical figures—queen, cardinal, and the infamous Jeanne de la Motte—while introducing a cast of conspirators whose loyalties shift like candlelight in a palace corridor. Dumas’s brisk pacing and razor‑sharp dialogue keep the drama alive, drawing you into a web of scandal that feels both intimate and grand. By the end of the first act, alliances are forming, rumors are spreading, and the delicate balance of power begins to tremble, promising even deeper intrigue ahead.
Language
fr
Duration
~14 hours (816K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and www.ebooksgratuits.com
Release date
Apr 18, 2006
Rights
Public domain in the USA.

1802–1870
A master of high adventure, Alexandre Dumas created some of the world’s most beloved historical novels, including The Three Musketeers and The Count of Monte Cristo. His stories combine daring escapes, unforgettable heroes, romance, revenge, and vivid historical drama.
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1813–1888
Best remembered as the quiet force behind some of the 19th century’s most famous adventure novels, he helped shape the stories that became The Three Musketeers and The Count of Monte Cristo. His own career as a novelist and playwright has made him an intriguing figure in literary history.
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