L'automne d'une femme

audiobook

L'automne d'une femme

by Marcel Prévost

FR·~8 hours·17 chapters

Chapters

17 total

À M. LOUIS LEBLOIS

0:48

PREMIÈRE PARTIE - I

31:52

II

41:01

III

42:33

IV

35:24

DEUXIÈME PARTIE - I

27:33

II

18:36

III

37:18

IV

38:54

V

1:02:14

Description

In the heart of elegant Paris, a discreet chapel tucked on rue de Turin serves as a refuge for the city's most privileged women seeking quiet devotion. Marcel Prévo­st sketches the austere beauty of the Redemptorist convent, its white habits, blue velvet, and the perpetual glow of the host that fills the dim space with a reverent hum. On a rain‑soaked October afternoon, a solitary Parisian woman slips inside, kneeling in the back row, her hands clasped in a pose that suggests both urgency and humility. The hush of the sanctuary and the soft flame of a single lamp set the stage for a moment of introspection.

She remains there, eyes lifted toward the luminous altar, when a sister emerges from the sacristy with a trembling torch, briefly igniting the shadows. Their gazes meet, a fleeting smile passing between two women who seem to recognize each other's hidden sorrows. The sudden blaze disrupts her prayer, pulling her out of the private reverie and hinting at a past love or a secret promise she has carried into the chapel. As the candle flickers, listeners are invited to follow her delicate balance between spiritual yearning and the unresolved emotions of an autumn heart.

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Details

Language

fr

Duration

~8 hours (472K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at DP Europe (http://dp.rastko.net)

Release date

2007-06-13

Rights

Public domain in the USA.

About the author

Marcel Prévost

Marcel Prévost

1862–1941

A French novelist and dramatist of the Belle Époque, he was known for stories that stirred debate about education, society, and the lives of women in modern Paris. Trained as an engineer before turning fully to literature, he brought both polish and provocation to his fiction.

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