
Produced by Po-Chun Wang
老殘道:「怎麼樣就會窮呢?」翠花道:「那才快呢!不消三天,就家破人亡了!這就是前年的事情。俺這黃河不是三年兩頭的倒口子嗎?莊撫臺為這個事焦的了不得似的。聽說有個甚麼大人,是南方有名的才子,他就拿了一本甚麼書給撫臺看,說這個河的毛病是太窄了,非放寬了不能安靜,必得廢了民魽A退守大堤。
「當時只聽城上一片嘈嚷,說:『小儥帖芋I小儥帖芋I』城上的人呼呼價往下跑。俺媽哭著就地一坐,說:『俺就死在這兒不回去了!』俺沒法,只好陪著在旁邊哭。只聽人說:『城門縫裡過水!』那無數人就亂跑,也不管是人家,是店,是鋪子,抓著被褥就是被褥,抓著衣服就是衣服,全拿去塞城門縫子。一會兒把咱街上估衣鋪的衣服,布店裡的布,都拿去塞了城門縫子。漸漸聽說:『不過水了!』又聽嚷說:『土包單弱,恐怕擋不住!』這就看著多少人到俺店裡去搬糧食口袋,望城門洞裡去填。一會看著搬空了,又有那紙店裡的紙,棉花店裡的棉花,又是搬個乾淨。
「那天,司道都在院上,他將這幾句指與大家看,說:『可見戰國時兩堤相距是五十里地了,所以沒有河患。今日兩民鴐蛚Z不過三四里,即兩大堤相距尚不足二十里。比之古人,未能及半,若不廢民魽A河患斷無已時。』宮保說:『這個道理我也明白,只是這夾堤裡面盡是村莊,均屬膏腴之地,豈不要破壞幾萬家的生產嗎?』
卻說老殘回來,一路走著,心裡十分高興,想道:「前日聞得玉賢種種酷虐,無法可施。今日又親目見了一個酷吏,卻被一封書便救活了兩條性命,比吃了人參果心裡還快活!」一路走著,不知不覺已出了城門,便是那黃河的堤鴗F。上得堤去,看天色欲暮,那黃河已凍得同大路一般,小車子已不斷的來往行走,心裡想來:「行李既已燒去,更無累贅,明日便可單身回省,好去置辦行李。」轉又念道:「袁希明來信,叫我等白公來,以便商酌,明知白公辦理此事,游刃有餘。然倘有未能周知之處,豈不是我去了害的事嗎?只好耐心等待數日再說。」一面想著,已到店門,順便踱了回去。看有許多人正在那裡刨挖火裡的燼餘,堆了好大一堆,都是些零綢碎布,也就不去看他。回到上房,獨自坐地。
In the bustling coastal town of Dengzhou, an itinerant healer known only as Old Càn drifts from misfortune to opportunity. Once a failed scholar from the south, he now wanders with a bell‑rattling wand, offering simple cures and a quick smile to anyone in need. When a wealthy family plagued by a mysterious, season‑bound illness hires him, his modest success buys him a night at the famous Penglai Pavilion, where sunrise and sea mist promise a brief taste of wonder.
Joined by two longtime companions, the scholarly Article Uncle and the practical Dehui, Old Càn spends the night drinking, swapping stories, and waiting for the first light over the endless waves. Their quiet awe is shattered by a massive, leaky cargo ship battling the storm, its desperate crew shouting for help. Impulsively, the trio launches a small fishing boat to intervene, only to discover that the raging crowd on the larger vessel may turn their rescue into a perilous gamble.
Language
zh
Duration
~1 hours (109K characters)
Publisher of text edition
Project Gutenberg
Release date
2007-12-13
Rights
Public domain in the USA.

1857–1909
Best known for The Travels of Lao Can, this late Qing writer turned sharp social criticism into vivid storytelling. He was also an antiquarian and public-minded reformer whose life reached well beyond literature.
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