La Zaffetta: Raccolta di rarissimi opuscoli italiani degli XV e XVI secoli II

audiobook

La Zaffetta: Raccolta di rarissimi opuscoli italiani degli XV e XVI secoli II

by Lorenzo Venier

FR·~1 hours·5 chapters

Chapters

5 total

RACCOLTA DI RARISSIMI OPUSCOLI ITALIANI DEGLI XV E XVI SECOLI - II - LA ZAFFETTA - PARIGI - M D CCC LXI - LA - ZAFFETTA

0:25

LA ZAFFETTA - PARIGI - M D CCC LXI - NOTICE SUR LA ZAFFETTA

10:14

LA ZAFFETTA

35:37

IL FINE. - LA - ZAFFETTA

35:36

IL FINE.

0:06

Description

This volume brings together a handful of exceptionally rare Italian pamphlets from the fifteenth and sixteenth centuries, presented in a carefully produced re‑edition limited to just one hundred numbered copies. Printed in Paris in 1561 by the workshop of Ch. Jouaust, the book mixes round and gothic typefaces, reflecting the transitional printing practices of the era. Accompanying scholarly notes explain the uncertain dating and provenance of the texts, making the collection a valuable resource for anyone fascinated by early modern bibliography and the life of the book.

At its heart is “La Zaffetta,” a single‑chant satirical poem of one hundred fourteen eight‑line stanzas. Written by the Venetian noble Lorenzo Veniero, it narrates the misadventure and punishment of a courtesan named Angela, whose nickname “Zaffetta” derives from a Venetian dialect term for “henchman.” The poem’s witty, razor‑sharp tone and its self‑referential claim to authorship of another controversial work offer a vivid glimpse into the ribald literary culture of Renaissance Venice, inviting listeners to hear the lively rhythm of a long‑lost voice.

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Details

Language

fr

Duration

~1 hours (78K characters)

Publisher of text edition

Project Gutenberg

Release date

Feb 23, 2006

Rights

Public domain in the USA.

Subjects

About the author

LV

Lorenzo Venier

1510–1550

A lively Venetian writer from the sixteenth century, he is remembered for sharp, often earthy poems and prose that stood out in the literary circles around his family. Though less famous than some of his contemporaries, his work offers a vivid glimpse of Renaissance Venice.

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