
LA VENDETTA DI ZOE.
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The story opens on a glittering carnival night at Parma’s ducal theatre, where lavish sets and sumptuous costumes mask a world ruled by vanity and excess. The young prince, draped in princely finery yet clutching a golden‑tied ribbon, surveys the throng of aristocrats, eager courtiers, and the restless common folk from his balcony. His cynical banter and the rustle of gossip among his entourage reveal a court that thrives on displays of power while exploiting the very people who fill the seats.
A fresh face takes the stage as the new prima ballerina, stepping into the spotlight after her predecessor falls ill, and the audience’s curiosity swells with each graceful movement. Among the spectators sits an Englishman—sharply featured, half‑courtier, half‑schemer—whose whispered counsel to the duke hints at hidden machinations beneath the theater’s splendor. The scene pulses with tension as loyalties shift and whispered promises mingle with the music.
Amid this opulent turmoil, a young woman named Zoe watches from the shadows, her composure concealing a simmering resolve. The opening night marks the first move in her quiet campaign of vengeance, setting the stage for a clash between personal revenge and the entrenched decadence of the aristocracy. Listeners will be drawn into a world where elegance masks danger, and every dance step may carry the weight of an unfolding reckoning.
Language
it
Duration
~11 hours (678K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Italy: Fratelli Treves, 1895.
Credits
Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images made available by The Internet Archive)
Release date
2023-03-05
Rights
Public domain in the USA.

1830–1900
A lively voice in 19th-century Italian culture, this Piedmontese writer and journalist is best remembered for sharp, humane comedy and for capturing everyday life in Turin. His work moved easily between fiction, theater, and public life.
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