La tête de Martin: Comédie en un acte

audiobook

La tête de Martin: Comédie en un acte

by Eugène Grangé, Théodore Barrière, Adrien Decourcelle

FR·~26 minutes·16 chapters

Chapters

16 total
1

LA TÊTE DE MARTIN - COMÉDIE EN UN ACTE - PAR - MM. E. Grangé, Decourcelle et Th. Barrière.

0:16
2

LA TÊTE DE MARTIN COMÉDIE EN UN ACTE.

0:21
3

SCÈNE I

0:35
4

SCÈNE II

5:18
5

SCÈNE III

0:12
6

SCÈNE IV

0:45
7

SCÈNE V

2:06
8

SCÈNE VI

3:19
9

SCÈNE VII

0:55
10

SCÈNE VIII

0:57

Description

In the bustling lobby of a small-town hotel, the weary clerk Bertrand wrestles with a ledger full of guests all sharing the same surname—Martin. When the flamboyant businessman Durand and his eager nephew Venceslas check in, the confusion turns into a lively exchange of names, stories, and absurd legal jargon. Their banter instantly sets a light‑hearted, slightly absurd tone that promises laughs for anyone who enjoys clever wordplay.

Durand claims to be drawing a mysterious $1,000 annuity tied to the head of a distant relative named Martin—an arrangement that sounds as tangled as the hotel’s many door numbers. Bertrand, trying to keep order, listens as the guest spins convoluted explanations about civil code articles and imagined obligations, all while Venceslas watches with polite bewilderment. The scene builds a comic puzzle that teeters between legal satire and farcical misunderstanding, inviting listeners to follow the quick‑witted repartee without revealing how the tangled rent will be untangled.

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Details

Language

fr

Duration

~26 minutes (24K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Renald Levesque, the Online Distributed Proofreading Team, and BNQ (Bibliothèque nationale du Québec)

Release date

2004-06-01

Rights

Public domain in the USA.

About the authors

Eugène Grangé

Eugène Grangé

1810–1887

A prolific figure of 19th-century French popular theater, he wrote plays, librettos, and songs that helped shape the lively stage culture of Paris. His career stretched across decades and included a remarkable number of collaborations with other dramatists and composers.

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Théodore Barrière

Théodore Barrière

1825–1877

A sharp, prolific voice of 19th-century French theater, he built his reputation on lively comedies and social satire. His best-known work, "Les Faux Bonshommes," helped make him one of the notable dramatists of the Second Empire era.

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Adrien Decourcelle

1824–1892

A busy presence in 19th-century French theater, this playwright and man of letters helped shape the popular world of comedies, vaudevilles, and songs. He is also remembered as the father of fellow writer Pierre Decourcelle.

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