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A. GHISLANZONI - LA CONTESSA DI KAROLYSTRIA
MILANO
A SALVATORE FARINA
A. GHISLANZONI..
LA CONTESSA DI KAROLYSTRIA - CAPITOLO I.
CAPITOLO II
CAPITOLO III.
CAPITOLO IV.
CAPITOLO V.
A witty, self‑aware narrator opens the tale with a playful confession to a longtime friend, contrasting the lofty expectations of genteel society with his own rag‑tag, Scapigliatura spirit. Through a blend of sardonic commentary and heartfelt anecdote, he sets the stage for the eccentric world of the Contessa di Karolystria, where aristocratic pretensions collide with everyday absurdities. The opening promises a vivid portrait of a household teetering between tragic longing and comic mishap, all rendered in a voice that joyfully refuses to bow to literary conventions.
As the story unfolds, listeners are introduced to a cast of colorful characters—rigid patriots, flamboyant bohemians, and the titular countess herself, whose charm masks a swirl of contradictions. Their interactions expose the fragile veneer of respectability that the era prized, while the narrator’s sharp humor keeps the tone light even as deeper melancholy surfaces. The first act lays a rich groundwork for a tragicomedy that delights in both laughter and tender reflection.
Language
it
Duration
~1 hours (114K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-02-24
Rights
Public domain in the USA.

1824–1893
Best known as the librettist behind Verdi’s Aida, this lively Italian writer moved through the worlds of journalism, poetry, fiction, and opera with unusual range. His life had the energy of a novel, from abandoned medical studies to political journalism and the stage.
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