La contessa di Karolystria: Storia tragicomica

audiobook

La contessa di Karolystria: Storia tragicomica

by Antonio Ghislanzoni

IT·~1 hours·14 chapters

Chapters

14 total
1

Produced by Carlo Traverso, paganelli and the Online

0:15
2

A. GHISLANZONI - LA CONTESSA DI KAROLYSTRIA

0:04
3

MILANO

0:06
4

A SALVATORE FARINA

6:47
5

A. GHISLANZONI..

5:51
6

LA CONTESSA DI KAROLYSTRIA - CAPITOLO I.

9:12
7

CAPITOLO II

7:06
8

CAPITOLO III.

5:30
9

CAPITOLO IV.

6:31
10

CAPITOLO V.

16:32

Description

A witty, self‑aware narrator opens the tale with a playful confession to a longtime friend, contrasting the lofty expectations of genteel society with his own rag‑tag, Scapigliatura spirit. Through a blend of sardonic commentary and heartfelt anecdote, he sets the stage for the eccentric world of the Contessa di Karolystria, where aristocratic pretensions collide with everyday absurdities. The opening promises a vivid portrait of a household teetering between tragic longing and comic mishap, all rendered in a voice that joyfully refuses to bow to literary conventions.

As the story unfolds, listeners are introduced to a cast of colorful characters—rigid patriots, flamboyant bohemians, and the titular countess herself, whose charm masks a swirl of contradictions. Their interactions expose the fragile veneer of respectability that the era prized, while the narrator’s sharp humor keeps the tone light even as deeper melancholy surfaces. The first act lays a rich groundwork for a tragicomedy that delights in both laughter and tender reflection.

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Details

Language

it

Duration

~1 hours (114K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-02-24

Rights

Public domain in the USA.

Subjects

About the author

Antonio Ghislanzoni

Antonio Ghislanzoni

1824–1893

Best known as the librettist behind Verdi’s Aida, this lively Italian writer moved through the worlds of journalism, poetry, fiction, and opera with unusual range. His life had the energy of a novel, from abandoned medical studies to political journalism and the stage.

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