
IN CHIAVE DI BARITONO - (Storiella allegra).
A. GHISLANZONI - IN CHIAVE DI BARITONO - (Storia di Milano dal 1836 al 1848) - MILANO A. Brigola e C., Editori Via Manzoni, 5
Proprietà letteraria - Milano 1882.—Tip Annoni, Via Moneta, 4.
INDICE
CAPITOLO I. - Dove si vede in quali condizioni difficili versasse il primo baritono del teatro di Chieti, nel maggio 1849.
CAPITOLO II. - Il Convento.
CAPITOLO III. - Padre Domenico mi sconforta dal farmi Francescano.
CAPITOLO IV. - Miracoli della donna.
CAPITOLO V. - Risoluzioni ed espedienti.
CAPITOLO VI. - Un concerto sconcertato.
A mischievous baritone, fresh from his debut in the provincial theatre of Chieti, finds himself thrust into the chaotic world of 1840s Italy. With a scarlet scarf around his neck and a makeshift sword at his side, he attempts a daring crossing of the Napolitan border, only to be stopped by stern officials and an unforgiving bureaucracy.
The narrative blends sharp humor with vivid snapshots of a nation on the brink of revolution. From cramped inns in the Marche to tense encounters with aristocratic patrons, the singer’s earnest pleas and flamboyant self‑importance expose the absurdities of a society tangled in politics, war, and social pretensions. His desperate attempts to secure a passage reveal both the fragility of personal ambition and the larger struggle for Italian freedom.
Through witty dialogue and colorful description, the story captures the restless spirit of a restless era, inviting listeners to follow a charismatic yet hapless artist as he navigates danger, bureaucracy, and his own inflated ego—always with a smile and a tune at the ready.
Language
it
Duration
~3 hours (175K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Paganelli and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by Biblioteca Nazionale Braidense - Milano)
Release date
2005-10-27
Rights
Public domain in the USA.

1824–1893
Best known as the librettist of Verdi’s Aida, he also lived a strikingly varied literary life as a journalist, poet, and novelist. His career moved from music and the stage into sharp, prolific writing that left a clear mark on 19th-century Italian culture.
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