
Anmerkungen zur Transkription:
Inhalt
Brief eines Dichters an einen Herrn
Mittagspause
Die Göttin
Der Nachen
Pierot
Sommerfrische
Frau von Twann
Die Insel
A wandering voice moves through the pages with a casual, almost conversational rhythm, shifting from airy optimism to the weight of a bleak day. The opening poems drift like short sketches of a solitary traveler, capturing moments of lightness and loss in spare, vivid language. Their tone is intimate, as if the speaker is sharing fleeting impressions while strolling through forests, taverns, and empty rooms. The texture of the writing feels both tender and rough‑handed, inviting listeners to linger on the simple yet profound observations of everyday life.
The first letter unfolds as a self‑effacing confession to a well‑to‑do gentleman, where the writer proudly declares his lack of manners, his love for dilapidated homes, and his disdain for polished elegance. Through humor and honest humility, he reveals a deep attachment to poverty‑tarnished surroundings, preferring the company of insects and cracked walls to the pretence of salons. This candid, almost mischievous dialogue offers a glimpse into a mind that finds comfort in authenticity and resists the lure of social polish. Listeners are drawn into a world where modesty and absurdity coexist, making the experience both thought‑provoking and warmly human.
Language
de
Duration
~5 hours (296K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Norbert H. Langkau, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2011-08-19
Rights
Public domain in the USA.

1878–1956
A quietly original Swiss writer in the German language, he turned ordinary walks, small jobs, and passing thoughts into fiction that feels light on its feet and unexpectedly deep. Once admired by writers like Kafka and Hesse, his work has grown into a lasting touchstone of modern literature.
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