
audiobook
KAFFIR FOLK-LORE:
PREFACE.
KAFFIR FOLK. - INTRODUCTORY CHAPTER REGARDING THE KAFFIRS.
STORY OF THE BIRD THAT MADE MILK. I.
THE STORY OF THE BIRD THAT MADE MILK. II.
THE STORY OF FIVE HEADS.
THE STORY OF TANGALIMLIBO.
STORY OF THE GIRL WHO DISREGARDED THE CUSTOM OF NTONJANE.
THE STORY OF SIMBUKUMBUKWANA.
THE STORY OF SIKULUME.
This anthology gathers a vivid cross‑section of the oral stories that have long animated the evenings of the eastern Cape border. Passed down by elder women around fire‑lit circles, each tale unfolds with a rhythm that feels both intimate and timeless, inviting listeners to hear the world as the storytellers once did—when night deepens the sense of the supernatural and every word carries the weight of community memory.
Accompanying the narratives are detailed notes that illuminate the cultural backdrop behind each motif, from ancestral beliefs and social customs to the way new influences have begun to reshape the folklore. The collection showcases the remarkable flexibility of these stories, which can be recombined like building blocks to create fresh variations while still echoing the original spirit of the people who first sang them. Listeners gain not only entertainment but a window into the imagination, values, and evolving identity of a society that has long used myth to make sense of its world.
Language
en
Duration
~4 hours (236K characters)
Publisher of text edition
Project Gutenberg
Original publisher
London: Swan Sonnenschein, Le Bas & Lowrey, 1886.
Credits
Jeroen Hellingman and the Online Distributed Proofreading Team at https://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Aug 4, 2023
Rights
Public domain in the USA.

1837–1919
A hugely influential historian of southern Africa, he spent decades collecting records and turning them into sweeping histories that shaped how the region's past was written for generations. His work was ambitious and deeply researched, though modern readers also approach it with an awareness of its colonial-era viewpoint.
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