
audiobook
JOURNAL - DE - EUGÈNE DELACROIX - TOME DEUXIÈME - 1850-1854 - Notes et Éclaircissements par MM. Paul Flat et René Piot - Portraits et fac-simile - PARIS - LIBRAIRIE PLON - E. PLON, NOURRIT et Cie, IMPRIMEURS-ÉDITEURS - Rue Garancière, 10 - 1893
Step into the mind of a 19th‑century painter as he wanders through Brussels, lingers in a park, and scrutinizes the grand cathedral of Sainte‑Gudule. His journal entries blend travel log, sharp-eyed criticism and moments of unexpected wonder, giving listeners a vivid sense of the streets, the weather and the restless moods that accompany every journey. The voice is intimate yet articulate, revealing how a single day can spark reflections on taste, proportion and the soul of a city.
In the cathedral’s stained‑glass windows he dissects the interplay of color, light and historic style, comparing the elegant sixteen‑century panes to later, less successful attempts. He pauses to describe the music that fills the chapel, the choral resonance that briefly lifts his spirits, and his reactions to Rubens’ monumental canvases in the museum. Through his candid observations, the listener gains a rare glimpse of an artist who judges both the beautiful and the flawed with equal fascination, turning ordinary moments into insightful commentary on art and life.
Full title
Journal de Eugène Delacroix, Tome 2 (de 3) 1850-1854 1850-1854
Language
fr
Duration
~14 hours (835K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Laura Natal Rodriguez and Marc D'Hooghe at Free Literature (back online soon in an extended version, also linking to free sources for education worldwide ... MOOC's, educational materials,...) (Images generously made available by the Internet Archive.)
Release date
2017-03-25
Rights
Public domain in the USA.

1798–1863
A leading voice of French Romanticism, this painter brought drama, movement, and blazing color to scenes drawn from history, literature, and contemporary life. Best known for works like Liberty Leading the People, he helped shape the course of modern painting.
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