
PREFACE
I. UNDERSTANDING, IMAGINATION, AND MYSTICISM
II. THE HOMERIC HYMNS
III. THE DISSOLUTION OF PAGANISM
IV. THE POETRY OF CHRISTIAN DOGMA
V. PLATONIC LOVE IN SOME ITALIAN POETS
VI. THE ABSENCE OF RELIGION IN SHAKESPEARE
VII. THE POETRY OF BARBARISM - I
VIII. EMERSON
IX. A RELIGION OF DISILLUSION
In this thought‑provoking collection the author gathers a series of essays that argue for a deep kinship between poetry and religion. He suggests that both are expressions of the ideal, differing only in how they engage with everyday life—poetry becomes religion when it intervenes, while religion turns into poetry when it steps back from concrete facts. By treating doctrinal claims as poetic visions rather than scientific statements, the work seeks to dissolve the long‑standing conflicts between faith, reason, and art.
The essays also explore the moral purpose of poetry, insisting that its true power lies in addressing the soul’s highest aspirations rather than mere aesthetic pleasure. The author critiques attempts to strip religion of its imaginative element, warning that such reductions leave faith hollow and turn belief into sterile superstition. Readers are invited to reconsider how ideals and reality intertwine, and to see both poetry and worship as complementary pathways toward a richer understanding of human experience.
Language
en
Duration
~6 hours (401K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marc D'Hooghe (Images generously made available by the Internet Archive.)
Release date
Mar 23, 2015
Rights
Public domain in the USA.

1863–1952
A philosopher, essayist, poet, and novelist, he wrote with unusual clarity about reason, memory, and the life of the mind. Born in Madrid and educated in Boston, he became one of the most distinctive literary voices connected with Harvard and modern philosophy.
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