International Weekly Miscellany of Literature, Art, and Science — Volume 1, No. 4, July 22, 1850

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International Weekly Miscellany of Literature, Art, and Science — Volume 1, No. 4, July 22, 1850

by Various Authors

EN·~3 hours·5 chapters

Chapters

5 total
1

INTERNATIONAL WEEKLY MISCELLANY Of Literature, Art, and Science.

0:07
2

LITERARY COTERIES IN PARIS IN THE LAST CENTURY.

1:53:32
3

Recent Deaths.

2:45
4

Original Poetry

0:24
5

Authors and Books.

1:14:02

Description

Step into the vibrant world of eighteenth‑century Paris, where elegant drawing‑rooms became laboratories of ideas. The narrative traces how salons hosted by women such as Madame de Tencin, Pompadour and Geoffrin turned fashion into a forum for philosophy, politics and art, shaping public opinion long before the French Revolution. By juxtaposing these gatherings with similar societies in Boston, Philadelphia and Charleston, the piece reveals a transatlantic rhythm of intellectual camaraderie that continues to echo today.

Drawing on Professor Schlosser’s incisive scholarship, the essay paints a picture of how the city’s cultural pulse broke free from royal control, letting the theatre and literary criticism adopt a more democratic tone. It highlights the subtle power of conversation, the sway of taste, and the way these “bureaux d’esprit” nudged the course of European history. Listeners will discover a rich tapestry of social networks that fused pleasure with ambition, offering a fresh perspective on how ideas once whispered over tea can reverberate through ages.

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Details

Language

en

Duration

~3 hours (183K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Joshua Hutchinson, William Flis, the Online Distributed Proofreading Team and Cornell University

Release date

2004-07-29

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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