
audiobook
IMPRESSIONIST PAINTING:ITS GENESIS AND DEVELOPMENT
PREFACE
ILLUSTRATIONS
CHAPTER I · THE EVOLUTION OF THE IMPRESSIONISTIC IDEA
CHAPTER II · “THE FORERUNNERS.” JONGKIND, BOUDIN, AND CEZANNE
CHAPTER III · EDOUARD MANET (1832-1883)
CHAPTER IV · THE IMPRESSIONIST GROUP, 1870-1886
CHAPTER V · CLAUDE MONET
CHAPTER VI · PISSARRO, RENOIR, SISLEY
CHAPTER VII · SOME YOUNGER IMPRESSIONISTS: CARRIÈRE, POINTELIN, MAUFRA
From the moment the author first encountered Monet’s sunlit canvases in a Paris studio, the book unfolds as a personal pilgrimage through the birth of Impressionism. It traces how early reverence for Turner, Constable, and Watts gave way to a feverish fascination with the bold experiments of Jongkind, Boudin, and Cézanne, offering listeners a vivid sense of the artistic climate of the 1870s. Interwoven with anecdotes about the author’s own conversion, the narrative paints a clear picture of why the movement flourished on the continent yet struggled for acceptance across the Channel.
The work moves beyond biography, guiding the ear through the distinctive techniques of Monet, Renoir, and Cassatt while highlighting the lesser‑known contributions of German and American painters. Rarely reproduced photographs are described in detail, allowing listeners to visualize the colours and brushstrokes that defined the era. By the end of the first act, the listener will have a solid grasp of Impressionism’s core ideas and an eagerness to hear how those ideas sparked later developments.
Language
en
Duration
~5 hours (290K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: George Newnes, 1904.
Credits
Tim Lindell, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Dec 13, 2022
Rights
Public domain in the USA.

1864–1941
A British Impressionist who spent years in France, he became one of the early English champions of Monet and modern painting. Alongside his own landscapes, he wrote a lively 1904 study that helped introduce Impressionism to British readers.
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