
HOW TO SEE A PLAY - BY RICHARD BURTON
PREFACE
HOW TO SEE A PLAY - CHAPTER I - THE PLAY, A FORM OF STORY TELLING
CHAPTER II - THE PLAY, A CULTURAL OPPORTUNITY
CHAPTER III - UP TO SHAKESPEARE
CHAPTER IV - GROWTH TO THE NINETEENTH CENTURY
CHAPTER V - THE MODERN SCHOOL
CHAPTER VI - THE PLAY AS THEME AND PERSONAL VIEW
CHAPTER VII - METHOD AND STRUCTURE - I
CHAPTER VIII - DEVELOPMENT
A practical handbook for anyone who enjoys the theater, this guide walks readers through the essential elements of a play, from its narrative structure to the subtleties of performance. It explains how a drama fits into the broader family of storytelling, comparing it to novels, short stories, and poetry, and shows why a coherent beginning‑middle‑end matters. The author also highlights the responsibility of the audience, urging them to develop a discerning taste that can influence the quality of productions. Throughout, clear examples illustrate how to notice pacing, character development, and thematic unity.
Beyond theory, the book offers concrete tips for choosing productions, reading playbills, and engaging with the performance without spoiling its surprises. It stresses that a thoughtful spectator helps raise standards, encouraging playwrights and actors to aim for richer, more meaningful work. Written in an accessible, conversational style, it serves as a companion for both seasoned patrons and newcomers seeking to get the most out of each night at the playhouse.
Language
en
Duration
~3 hours (225K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at the Digital & Multimedia Center, Michigan State University Libraries.)
Release date
2010-05-19
Rights
Public domain in the USA.

1861–1940
A literary critic, professor, poet, and playwright, he helped shape the study of English literature in the United States around the turn of the 20th century. His work moved easily between scholarship and creative writing, from books on major novelists to his own poems and dramas.
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