How to Produce Amateur Plays: A Practical Manual

audiobook

How to Produce Amateur Plays: A Practical Manual

by Barrett H. (Barrett Harper) Clark

EN·~2 hours·18 chapters

Chapters

18 total

HOW TO PRODUCE AMATEUR PLAYS

0:14

PREFACE TO THE REVISED EDITION

2:06

LIST OF ILLUSTRATIONS

0:52

HOW TO PRODUCE AMATEUR PLAYS

0:01

CHAPTER I - CHOOSING THE PLAY

7:18

CHAPTER II - ORGANIZATION

11:55

CHAPTER III - CHOOSING THE CAST

4:47

CHAPTER IV - REHEARSING I

25:21

CHAPTER V - REHEARSING II

24:33

CHAPTER VI - REHEARSING III

3:19

Description

This manual offers a straightforward roadmap for anyone eager to bring a play to life on a community stage. Starting with the crucial first step—choosing a suitable script—it walks readers through evaluating cast size, skill levels, and audience expectations, helping groups avoid the common pitfalls of mismatched material. The advice is grounded in real‑world experience, with clear examples that let even newcomers see how a good selection sets the tone for a successful run.

Beyond the script, the book dives into the nuts and bolts of production: building simple yet effective sets, arranging lighting, and managing costumes without a professional budget. Illustrated diagrams and photographs show how modest spaces can be transformed, and the updated edition adds a fresh list of recommended plays for modern ensembles. Whether you’re a director, stage manager, or actor looking to understand the whole process, the guide equips you with practical tools to turn imagination into a stage reality.

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Details

Language

en

Duration

~2 hours (142K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Starner, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

Jun 11, 2012

Rights

Public domain in the USA.

About the author

BH

Barrett H. (Barrett Harper) Clark

1890–1953

A lively figure in early 20th-century theater, this Canadian-born writer helped bring modern European drama to English-speaking audiences through translation, editing, and criticism. He also worked closely with the American stage as a lecturer, literary agent, and anthologist.

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